Artists should create in order to destroy. It is the simple yet exceptional formula reserved for individuals whose passion lies in producing objects. To build is to destroy, to destroy is to build. To create is to destroy what was once built. To paint is to cancel out and destroy another artist’s brush strokes, so to speak—one’s old, previous, and bygone brush stroke.

The idea of ‘home’ becomes the pillar for this dynamic repertoire on inter-relatedness. ‘Home, as something you go back to,’ as described by Benjie Cabangis. ‘It is the idea–of returning to the self or an actual home—that there is something to which we can consistently go back to, which is an important aspect in the dynamic of art production.’