WATARU SAKUMA | Solo Exhibition
HYPERCOMPLEX ii
FEATURED ARTISTS
Wataru Sakuma
CURATED BY
Solo Exhibition
“Hypercomplex II”
Wataru Sakuma presents an additional cohort of hypercomplex objects to Modeka Art. Like Hypercomplex I, all the works here went through the same process of multiple interventions, interweaving several technologies together — medical diagnostic, digital and Artificial Intelligence — all culminating into the final destination that is manual human labor. It is as if at the pinnacle of the whole experience is the persistence of the will of the human hand to inscribe itself in the materiality of all these hypercomplex objects through the final act of manually weaving several versions of images. This final step in Hypercomplex I seems to be parallel to a low-tech self-correcting intervention suggested by Yuval Noah Harari as a way to regulate the risks of AI.
But aside from the cunning inscription of the human hand in the materiality of these objects, there is something more conspicuous in this follow up effort. It looks
like, as if, as Sakuma confronts his own anxiety as an artist versus the meteoric explosion of the creative capacity of Artificial Intelligence, the tendency to anthropomorphize these objects comes out more intensely. Can it be possible that the post human phase only intensify our own desire to be more human like a catch 22 absurd pursuit?
In Hypercomplex II, centralized at the field of vision, are the gallbladder stones extracted from Sakuma himself. His surgery 2 years ago coincides with the opening date of this exhibition, serendipitously. Somehow, the pursuit to creatively engage AI happens symmetrically with the experiential encounter he had with pain and his concern for healing after his biological procedure. The biological and the artificial, the organic and the inorganic pairing comes as a symmetrical bonding. A new definition for living. And as a kind of a post script, Sakuma again, recruits the hands of his 2 sons in place of the AI intervention phase to do their own versions of hypercomplex objects.
[Text by Jose Jay B Cruz]
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ABOUT THE ARTISTS
Wataru Sakuma
Wataru Sakuma’s art and design playground started with the regard for the discarded and the overlooked. This aesthetic attitude combined with the transient nature of his formative years living a transnational life in 5 countries like Japan, Dubai, India, America and finally the Philippines must have led him to his destined art material – the paper. The multi-cultural aesthetic and the transitory combination of his experience place an emphasis on the process-oriented mode of creation that organically produces layers and texture and a sense of impermanence in all of his works. That sensibility to accept the fleeting nature of things allows a different kind of chance occurrences in his works leading him to some fortuitous creations.
The same transiency brought him serendipitously, in 2004, to the Philippines. Sakuma’s initial foray in this country led him to join Masa Ecological Development Inc. as a designer. This company produces handmade paper products utilizing various local agricultural wastes such as pineapple leaves, banana trunks, cogon grass, rice straws and others. MASAECO was in fact, founded on a noble ground also by a Japanese, to open up employment for Filipinos in this country while introducing the technology of handmade paper-making as an ecological development. In this company, Sakuma started to build his aesthetic fidelity to the material humility and plasticity of the handmade paper and eventually took its helm. Here, in constant exploration with paper, Sakuma developed an austere and yet fragile sensibility that seem to coincide and empathize with the quality of human experience in the contemporary period being in eternal and complex transition.
Soon enough, that adventure in the Philippines steered him into recognition earning 9 Katha Awards for design from the organizers of Manila F.A.M.E. International. Thereafter, Sakuma became a valued consultant of the Center for International Trade Expositions and Missions of the Department of Trade and Industry and finally expanded his explorations into a wider range of materials without losing his vigorous commitment to the humble but multi-faceted potential of the paper. From 2014 to 2016, Sakuma was consultant to the government of Thailand for product development utilizing agricultural waste through the Department of International Trade Promotion.
Wataru Sakuma received a degree in Bachelor of Fine Arts majoring in painting at Memphis college of Art in the U.S.A. In 2002, he was also granted a scholarship in New York for a studio residency program affiliated with the Parsons School of Design.
[Text by: Jose Jay B. Cruz]
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