Wataru Sakuma
Blurred
Showing between June 18 - July 12, 2022
FEATURED ARTISTS
Wataru Sakuma
CURATED BY
Wataru Sakuma / Jose Jay B Cruz
Exhibition | Wataru Sakuma
BLURRED.
Wataru Sakuma (b. 1978, Japan) dives deep into the perception game in BLURRED, his new work. Entrenched in the anxiety of suddenly waking up in the post truth regime, he doubles down into the abyss of things that are not necessarily what they seem to be. In this new work, Sakuma, was caught by the fever regarding the discourse on history in the Philippines and instead of finding an escape route, took a mad rush to find and collect philippine history textbooks. He then, as if to memorialize the content of these history books, brought the pages into dissolution and transfiguration manifesting a word cloud of words synonymous to history. The words layered like fragile veils detracting a sense of focus become text within a text within a frame of historical information in the year 2022.
Text and co-curated by Jose Jay B Cruz
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About the Artists.
Wataru Sakuma’s art and design playground started with the regard for the discarded and the overlooked. This aesthetic attitude combined with the transient nature of his formative years living a transnational life in 5 countries like Japan, Dubai, India, America, and finally the Philippines must have led him to his destined art material – the paper. The multi-cultural aesthetic and the transitory combination of his experience place an emphasis on the process-oriented mode of creation that organically produces layers and texture and a sense of impermanence in all of his works. That sensibility to accept the fleeting nature of things allows a different kind of chance occurrences in his works leading him to some fortuitous creations.
The same transiency brought him serendipitously, in 2004, to the Philippines. Sakuma’s initial foray in this country led him to join Masa Ecological Development Inc. as a designer. This company produces handmade paper products utilizing various local agricultural wastes such as pineapple leaves, banana trunks, cogon grass, rice straws and others. MASAECO was in fact, founded on a noble ground also by a Japanese, to open up employment for Filipinos in this country while introducing the technology of handmade paper-making as an ecological development.
In this company, Sakuma started to build his aesthetic fidelity to the material humility and plasticity of the handmade paper and eventually took its helm. Here, in constant exploration with paper, Sakuma developed an austere and yet fragile sensibility that seem to coincide and empathize with the quality of human experience in the contemporary period being in eternal and complex transition.
Soon enough, that adventure in the Philippines steered him into recognition earning 9 Katha Awards for design from the organizers of Manila F.A.M.E. International. Thereafter, Sakuma became a valued consultant of the Center for International Trade Expositions and Missions of the Department of Trade and Industry and finally expanded his explorations into a wider range of materials without losing his vigorous commitment to the humble but multi-faceted potential of the paper. From 2014 to 2016, Sakuma was consultant to the government of Thailand for product development utilizing agricultural waste through the Department of International Trade Promotion.
Wataru Sakuma received a degree in Bachelor of Fine Arts majoring in painting at Memphis college of Art in the U.S.A. In 2002, he was also granted a scholarship in New York for a studio residency program affiliated with the Parsons School of Design.
Text by Jose Jay B Cruz
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